Photo: VIBHAATH GUDTROT · CC BY-SA 4.0A large rock inscription in Grantha script that sets down musical exercises in svara notation, arranged under seven ragas.
Each section is headed by a raga name such as Madhyamagrama and Shadjagrama, followed by groups of svara syllables. A closing line says the pieces were made by a king, a disciple of Rudracharya, for the benefit of pupils playing the seven- and eight-stringed vina. Many scholars attribute it to the Pallava king Mahendravarman I.
It is the oldest surviving written music notation in Bharat, carved in stone.
InscriptionA treaty between the Hittite king Suppiluliuma I and Shattiwaza, prince of Mitanni in north Syria, sworn before the gods of both kingdoms. Among the Mitanni gods stand four names any Vedic priest would know.
InscriptionThe Persian king Darius I tells, in Old Persian, Elamite and Babylonian, how he took the throne and which lands obeyed him. Gandhara is on the list.
InscriptionAshoka’s message of dhamma, carved in Greek and Aramaic for the Greek and Persian-speaking subjects at the western edge of his empire.
InscriptionFourteen major rock edicts, minor rock edicts and seven pillar edicts in which the Maurya emperor speaks in his own voice, as Devanampiya Piyadasi.
InscriptionIn conquered Kalinga, Ashoka left out the thirteenth rock edict, which mourns the war, and carved two separate edicts addressed to his officers there instead.
InscriptionA small bronze-copper plate in early Brahmi, issued by the officials of Shravasti, cast with symbols of storehouses above the text.
InscriptionSeventeen lines in Prakrit and Brahmi recording, year by year, the reign of Kharavela, the Jain emperor of Kalinga.
InscriptionA stone Garuda-dhvaja raised to Vasudeva by Heliodorus, a Greek envoy from Takshashila, at the court of King Bhagabhadra.
