Let one meditate on the syllable Om as the Udgitha, the loud chant of the Sama Veda. Om is the finest of all essences. When devas and asuras fought, the asuras pierced smell, speech, eye, ear and mind with evil, but struck the chief breath and were scattered like clay thrown on a rock. Three sages debate the root of the Saman, and Pravahana Jaivali names space as the final support of all. In famine, Ushasti Chakrayana eats an elephant-keeper's leftover beans, then questions the priests at a king's sacrifice about the deities of their chants. The khandas close with the Udgitha of the dogs and the meanings of the stobha syllables.
ॐ आप्यायन्तु ममाङ्गानि वाक्प्राणश्चक्षुः श्रोत्रमथो बलमिन्द्रियाणि च सर्वाणि सर्वं ब्रह्मोपनिषदं माहं ब्रह्म निराकुर्यां मा मा ब्रह्म निराकरोदनिराकरणमस्त्वनिराकरणं मेऽस्तु तदात्मनि निरते य उपनिषत्सु धर्मास्ते मयि सन्तु ते मयि सन्तु ॥
oṃ āpyāyantu mamāṅgāni vākprāṇaścakṣuḥ śrotramatho balamindriyāṇi ca sarvāṇi sarvaṃ brahmopaniṣadaṃ māhaṃ brahma nirākuryāṃ mā mā brahma nirākarodanirākaraṇamastvanirākaraṇaṃ me'stu tadātmani nirate ya upaniṣatsu dharmāste mayi santu te mayi santu ||
Let one meditate on the syllable Om as the Udgitha, the loud chant of the Sama Veda, for the Udgitha is sung beginning with Om. Here follows its explanation.
Earth is the rasa, the inner sap, of all beings; water is earth's rasa; plants are water's rasa; man is the rasa of plants; speech, of man; the Rig verse, of speech; the Saman, of the Rig; and the Udgitha, of the Saman.
tadvā etadanujñākṣaraṃ yaddhi kiñcānujānātyomityeva tadāhaiṣo eva samṛddhiryadanujñā samardhayitā ha vai kāmānāṃ bhavati ya etadevaṃ vidvānakṣaramudgīthamupāste
Om is the syllable of assent, for whenever one agrees to anything one says simply 'Om'. Assent is fulfilment. He who knows this and meditates on the syllable as the Udgitha becomes one who brings desires to fulfilment.
Through this syllable the threefold Vedic knowledge goes forward. With Om the Adhvaryu priest gives the call, with Om the Hotri recites, with Om the Udgatri sings. All this is done in honour of this syllable, by its greatness and by its essence.
तेनोभौ कुरुतो यश्चैतदेवं वेद यश्च न वेद । नाना तु विद्या चाविद्या च यदेव विद्यया करोति श्रद्धयोपनिषदा तदेव वीर्यवत्तरं भवतीति खल्वेतस्यैवाक्षरस्योपव्याख्यानं भवति
tenobhau kuruto yaścaitadevaṃ veda yaśca na veda | nānā tu vidyā cāvidyā ca yadeva vidyayā karoti śraddhayopaniṣadā tadeva vīryavattaraṃ bhavatīti khalvetasyaivākṣarasyopavyākhyānaṃ bhavati
Both perform the rite with it, he who knows this and he who does not. But knowledge and ignorance are different. Whatever is done with knowledge, with faith and with the inner teaching (upanishad) becomes more powerful. This is the explanation of this syllable.
devāsurā ha vai yatra saṃyetire ubhaye prājāpatyāstaddha devā udgīthamājahruranenainānabhibhaviṣyāma iti
When the devas and the asuras, both offspring of Prajapati, fought each other, the devas took up the Udgitha, thinking, 'With this we shall overcome them.'
ते ह नासिक्यं प्राणमुद्गीथमुपासांचक्रिरे तꣳ हासुराः पाप्मना विविधुस्तस्मात्तेनोभयं जिघ्रति सुरभि च दुर्गन्धि च पाप्मना ह्येष विद्धः
te ha nāsikyaṃ prāṇamudgīthamupāsāṃcakrire tam̐ hāsurāḥ pāpmanā vividhustasmāttenobhayaṃ jighrati surabhi ca durgandhi ca pāpmanā hyeṣa viddhaḥ
They meditated on the breath in the nose as the Udgitha. The asuras pierced it with evil. Therefore one smells with it both the fragrant and the foul, for it is pierced by evil.
atha ha vācamudgīthamupāsāṃcakrire tām̐ hāsurāḥ pāpmanā vividhustasmāttayobhayaṃ vadati satyaṃ cānṛtaṃ ca pāpmanā hyeṣā viddhā
Then they meditated on speech as the Udgitha. The asuras pierced it with evil. Therefore one speaks with it both truth and falsehood, for it is pierced by evil.
atha ha cakṣurudgīthamupāsāṃcakrire taddhāsurāḥ pāpmanā vividhustasmāttenobhayaṃ paśyati darśanīyaṃ cādarśanīyaṃ ca pāpmanā hyetadviddham atha ha śrotramudgīthamupāsāṃcakrire taddhāsurāḥ pāpmanā vividhustasmāttenobhayam̐ śṛṇoti śravaṇīyaṃ cāśravaṇīyaṃ ca pāpmanā hyetadviddham
Then they meditated on the eye as the Udgitha. The asuras pierced it with evil, so one sees with it both the pleasing and the unpleasing. Then they meditated on the ear as the Udgitha. The asuras pierced it with evil, so one hears with it both what should be heard and what should not, for it is pierced by evil.
अथ ह मन उद्गीथमुपासांचक्रिरे तद्धासुराः पाप्मना विविधुस्तस्मात्तेनोभयꣳ संकल्पते संकल्पनीयं चासंकल्पनीयं च पाप्मना ह्येतद्विद्धम्
atha ha mana udgīthamupāsāṃcakrire taddhāsurāḥ pāpmanā vividhustasmāttenobhayam̐ saṃkalpate saṃkalpanīyaṃ cāsaṃkalpanīyaṃ ca pāpmanā hyetadviddham
Then they meditated on the mind as the Udgitha. The asuras pierced it with evil. Therefore one thinks with it both what should be thought and what should not, for it is pierced by evil.
atha ha ya evāyaṃ mukhyaḥ prāṇastamudgīthamupāsāṃcakrire tam̐ hāsurā ṛtvā vidadhvaṃsuryathāśmānamākhaṇamṛtvā vidhvam̐ setaivam
Then they meditated on the chief breath, the breath in the mouth, as the Udgitha. When the asuras struck at it, they were scattered, as a lump of clay is shattered when it strikes a solid rock.
यथाश्मानमाखणमृत्वा विध्वꣳ सत एवꣳ हैव स विध्वꣳसते य एवंविदि पापं कामयते यश्चैनमभिदासति स एषोऽश्माखणः
yathāśmānamākhaṇamṛtvā vidhvam̐ sata evam̐ haiva sa vidhvam̐sate ya evaṃvidi pāpaṃ kāmayate yaścainamabhidāsati sa eṣo'śmākhaṇaḥ
Just as a clod is shattered on striking a solid rock, so is he shattered who wishes evil to one who knows this, or who injures him. Such a knower is the solid rock.
naivaitena surabhi na durgandhi vijānātyapahatapāpmā hyeṣa tena yadaśnāti yatpibati tenetarānprāṇānavati etamu evāntato'vittvotkramati vyādadātyevāntata iti
With this chief breath one knows neither the fragrant nor the foul, for it is free from evil. Whatever one eats or drinks with it nourishes the other senses. At the end, not finding this breath, the senses depart; that is why a dying man opens his mouth wide.
āgātā ha vai kāmānāṃ bhavati ya etadevaṃ vidvānakṣaramudgīthamupāsta ityadhyātmam
He who knows this and meditates on the syllable Om as the Udgitha becomes one who sings forth desires for others. So much for the meditation relating to the self.
athādhidaivataṃ ya evāsau tapati tamudgīthamupāsītodyanvā eṣa prajābhya udgāyati | udyam̐ stamo bhayamapahantyapahantā ha vai bhayasya tamaso bhavati ya evaṃ veda
Now concerning the devas. Let one meditate on the sun that shines as the Udgitha. Rising, it sings aloud for all creatures; rising, it drives away darkness and fear. He who knows this becomes a destroyer of fear and darkness.
This breath and that sun are alike. This is warm, that is warm. People call this svara, the moving, and that svara and pratyasvara, the moving and returning. Therefore let one meditate on both, this breath and that sun, as the Udgitha.
अथ खलु व्यानमेवोद्गीथमुपासीत यद्वै प्राणिति स प्राणो यदपानिति सोऽपानः । अथ यः प्राणापानयोः सन्धिः स व्यानो यो व्यानः सा वाक् । तस्मादप्राणन्ननपानन्वाचमभिव्याहरति
atha khalu vyānamevodgīthamupāsīta yadvai prāṇiti sa prāṇo yadapāniti so'pānaḥ | atha yaḥ prāṇāpānayoḥ sandhiḥ sa vyāno yo vyānaḥ sā vāk | tasmādaprāṇannanapānanvācamabhivyāharati
Let one also meditate on vyana as the Udgitha. What one breathes out is prana, what one breathes in is apana. The joining of prana and apana is vyana, and vyana is speech. That is why one speaks without breathing out or in.
या वाक्सर्क्तस्मादप्राणन्ननपानन्नृचमभिव्याहरति यर्क्तत्साम तस्मादप्राणन्ननपानन्साम गायति यत्साम स उद्गीथस्तस्मादप्राणन्ननपानन्नुद्गायति
yā vāksarktasmādaprāṇannanapānannṛcamabhivyāharati yarktatsāma tasmādaprāṇannanapānansāma gāyati yatsāma sa udgīthastasmādaprāṇannanapānannudgāyati
Speech is the Rig, so one recites a Rig verse without breathing out or in. The Rig is the Saman, so one sings the Saman without breathing out or in. The Saman is the Udgitha, so one chants the Udgitha without breathing out or in.
Other deeds that need strength, such as kindling fire by friction, running a race, or bending a stiff bow, are also done without breathing out or in. For this reason let one meditate on vyana as the Udgitha.
Let one meditate on the syllables of the word Udgitha. Ut is breath, for by breath one rises up. Gi is speech, for speech is called gir. Tha is food, for on food all this stands firm.
dyaurevodantarikṣaṃ gīḥ pṛthivī thamāditya evodvāyurgīragnistham̐ sāmaveda evodyajurvedo gīrṛgvedasthaṃ dugdhe'smai vāgdohaṃ yo vāco doho'nnavānannādo bhavati ya etānyevaṃ vidvānudgīthākṣarāṇyupāsta udgītha iti
Ut is heaven, gi the mid-space, tha the earth. Ut is the sun, gi the wind, tha fire. Ut is the Sama Veda, gi the Yajur Veda, tha the Rig Veda. Speech yields its milk to him who meditates thus on the syllables of Udgitha; he gains plenty of food and the power to enjoy it.
ātmānamantata upasṛtya stuvīta kāmaṃ dhyāyannapramatto'bhyāśo ha yadasmai sa kāmaḥ samṛdhyeta yatkāmaḥ stuvīteti yatkāmaḥ stuvīteti
Finally, turning to his own self, let him sing the praise, thinking carefully of his wish. Soon will that wish be fulfilled for which he sings, yes, for which he sings.
devā vai mṛtyorbibhyatastrayīṃ vidyāṃ prāviśam̐ste chandobhiracchādayanyadebhiracchādayam̐stacchandasāṃ chandastvam
The devas, fearing death, entered the threefold Vedic knowledge. They covered themselves with the metres. Because they covered (chad) themselves with them, the metres are called chandas.
tānu tatra mṛtyuryathā matsyamudake paripaśyedevaṃ paryapaśyadṛci sāmni yajuṣi | te nu viditvordhvā ṛcaḥ sāmno yajuṣaḥ svarameva prāviśan
But death saw them there, in the Rig, the Saman and the Yajus, as one sees a fish in shallow water. Knowing this, the devas rose out of the Rig, the Saman and the Yajus and entered the sound, the svara, Om.
When a man has learned the Rig, he loudly sounds Om; so too with the Saman and the Yajus. This syllable is that sound; it is immortal and fearless. Having entered it, the devas became immortal and fearless.
sa ya etadevaṃ vidvānakṣaraṃ praṇautyetadevākṣaram̐ svaramamṛtamabhayaṃ praviśati tatpraviśya yadamṛtā devāstadamṛto bhavati
He who knows this and sounds forth the syllable enters this same syllable, the sound that is immortal and fearless. Having entered it, he becomes immortal, just as the devas are immortal.
etamu evāhamabhyagāsiṣaṃ tasmānmama tvameko'sīti ha kauṣītakiḥ putramuvāca raśmīm̐stvaṃ paryāvartayādbahavo vai te bhaviṣyantītyadhidaivatam
Kaushitaki said to his son: 'I sang of the sun alone, and so you are my only son. Meditate on its rays as many, and you will have many sons.' So much for the meditation relating to the devas.
etamu evāhamabhyagāsiṣaṃ tasmānmama tvameko'sīti ha kauṣītakiḥ putramuvāca prāṇām̐ stvaṃ bhūmānamabhigāyatādbahavo vai me bhaviṣyantīti
Kaushitaki said to his son: 'I sang of the chief breath alone, and so you are my only son. Sing of the breaths as manifold, and I shall have many descendants.'
अथ खलु य उद्गीथः स प्रणवो यः प्रणवः स उद्गीथ इति होतृषदनाद्धैवापि दुरुद्गीथमनुसमाहरतीत्यनुसमाहरतीति
atha khalu ya udgīthaḥ sa praṇavo yaḥ praṇavaḥ sa udgītha iti hotṛṣadanāddhaivāpi durudgīthamanusamāharatītyanusamāharatīti
The Udgitha is the Pranava, and the Pranava is the Udgitha. He who knows this oneness, from the seat of the Hotri priest, sets right any fault in the singing of the Udgitha, yes, he sets it right.
This earth is the Rig, fire is the Saman. The Saman rests upon the Rig, and so it is sung resting on the Rig. Earth is sa and fire is ama; together they make sama.
The mid-space is the Rig, the wind is the Saman. The Saman rests upon the Rig and is sung so. The mid-space is sa and the wind is ama; together they make sama.
The stars are the Rig, the moon is the Saman. The Saman rests upon the Rig and is sung so. The stars are sa and the moon is ama; together they make sama.
The white radiance of the sun is the Rig; the dark blue beyond it, deep as black, is the Saman. The Saman rests upon the Rig, and so it is sung resting on the Rig.
atha yadevaitadādityasya śuklaṃ bhāḥ saiva sātha yannīlaṃ paraḥ kṛṣṇaṃ tadamastatsāmātha ya eṣo'ntarāditye hiraṇmayaḥ puruṣo dṛśyate hiraṇyaśmaśrurhiraṇyakeśa āpraṇakhātsarva eva suvarṇaḥ
The white radiance of the sun is sa, and the dark blue beyond, deep as black, is ama; together they make sama. And the golden Person seen within the sun, with golden beard and golden hair, golden all over to the very tips of his nails,
तस्यर्क्च साम च गेष्णौ तस्मादुद्गीथस्तस्मात्त्वेवोद्गातैतस्य हि गाता स एष ये चामुष्मात्पराञ्चो लोकास्तेषां चेष्टे देवकामानां चेत्यधिदैवतम्
tasyarkca sāma ca geṣṇau tasmādudgīthastasmāttvevodgātaitasya hi gātā sa eṣa ye cāmuṣmātparāñco lokāsteṣāṃ ceṣṭe devakāmānāṃ cetyadhidaivatam
The Rig and the Saman are his two singers. Hence the name Udgitha, and hence the chanting priest is called Udgatri, for he sings of this Person. He rules the worlds that lie beyond the sun and the desires of the devas. So much for the meditation relating to the devas.
Now concerning the self. Speech is the Rig, breath is the Saman. The Saman rests upon the Rig and is sung so. Speech is sa and breath is ama; together they make sama.
The eye is the Rig, the self reflected in the eye is the Saman. The Saman rests upon the Rig and is sung so. The eye is sa and the self is ama; together they make sama.
The white light of the eye is the Rig; the dark blue beyond, deep as black, is the Saman. The Saman rests upon the Rig and is sung so. The white light of the eye is sa, and the dark beyond is ama; together they make sama.
atha ya eṣo'ntarakṣiṇi puruṣo dṛśyate saivarktatsāma tadukthaṃ tadyajustadbrahma tasyaitasya tadeva rūpaṃ yadamuṣya rūpaṃ yāvamuṣya geṣṇau tau geṣṇau yannāma tannāma
The Person seen within the eye is the Rig, the Saman, the Uktha, the Yajus, the Brahman (the Veda). His form is the form of that Person in the sun; his two singers are the same two singers; his name is the same name.
अथानेनैव ये चैतस्मादर्वाञ्चो लोकास्ताꣳ श्चाप्नोति मनुष्यकामाꣳश्च तस्मादु हैवंविदुद्गाता ब्रूयात्
athānenaiva ye caitasmādarvāñco lokāstām̐ ścāpnoti manuṣyakāmām̐śca tasmādu haivaṃvidudgātā brūyāt
Through the Person in the eye he wins the worlds below this one and the desires of men. Therefore an Udgatri who knows this may say to the patron of the sacrifice,
कं ते काममागायानीत्येष ह्येव कामागानस्येष्टे य एवं विद्वान्साम गायति साम गायति
kaṃ te kāmamāgāyānītyeṣa hyeva kāmāgānasyeṣṭe ya evaṃ vidvānsāma gāyati sāma gāyati
'What wish shall I win for you by my singing?' For he who knows this and sings the Saman is master of winning wishes by song, yes, he who sings the Saman.
trayo hodgīthe kuśalā babhūvuḥ śilakaḥ śālāvatyaścaikitāyano dālbhyaḥ pravāhaṇo jaivaliriti te hocurudgīthe vai kuśalāḥ smo hantodgīthe kathāṃ vadāma iti
There were three men skilled in the Udgitha: Shilaka Shalavatya, Chaikitayana Dalbhya and Pravahana Jaivali. They said, 'We are skilled in the Udgitha. Come, we shall hold a discussion on the Udgitha.'
tatheti ha samupaviviśuḥ sa ha pravāhaṇo jaivaliruvāca bhagavantāvagre vadatāṃ brāhmaṇayorvadatorvācam̐ śroṣyāmīti
'So be it,' they said, and sat down together. Then Pravahana Jaivali said, 'Revered sirs, you speak first. I shall listen to the words of two brahmanas in discussion.'
का साम्नो गतिरिति स्वर इति होवाच स्वरस्य का गतिरिति प्राण इति होवाच प्राणस्य का गतिरित्यन्नमिति होवाचान्नस्य का गतिरित्याप इति होवाच
kā sāmno gatiriti svara iti hovāca svarasya kā gatiriti prāṇa iti hovāca prāṇasya kā gatirityannamiti hovācānnasya kā gatirityāpa iti hovāca
'What is the support of the Saman?' 'Tone,' he said. 'What is the support of tone?' 'Breath.' 'What is the support of breath?' 'Food.' 'What is the support of food?' 'Water.'
अपां का गतिरित्यसौ लोक इति होवाचामुष्य लोकस्य का गतिरिति न स्वर्गं लोकमति नयेदिति होवाच स्वर्गं वयं लोकꣳ सामाभिसंस्थापयामः स्वर्गसꣳस्तावꣳ हि सामेति
apāṃ kā gatirityasau loka iti hovācāmuṣya lokasya kā gatiriti na svargaṃ lokamati nayediti hovāca svargaṃ vayaṃ lokam̐ sāmābhisaṃsthāpayāmaḥ svargasam̐stāvam̐ hi sāmeti
'What is the support of water?' 'That world, heaven.' 'What is the support of that world?' He said, 'One should not lead the Saman beyond the heavenly world. We establish the Saman in heaven, for the Saman is praised as heaven.'
तꣳ ह शिलकः शालावत्यश्चैकितायनं दाल्भ्यमुवाचाप्रतिष्ठितं वै किल ते दाल्भ्य साम यस्त्वेतर्हि ब्रूयान्मूर्धा ते विपतिष्यतीति मूर्धा ते विपतेदिति
tam̐ ha śilakaḥ śālāvatyaścaikitāyanaṃ dālbhyamuvācāpratiṣṭhitaṃ vai kila te dālbhya sāma yastvetarhi brūyānmūrdhā te vipatiṣyatīti mūrdhā te vipatediti
Shilaka Shalavatya said to Chaikitayana Dalbhya, 'Your Saman, Dalbhya, has no firm support. If someone who knew were to say now, "Your head shall fall off," your head would surely fall.'
हन्ताहमेतद्भगवतो वेदानीति विद्धीति होवाचामुष्य लोकस्य का गतिरित्ययं लोक इति होवाचास्य लोकस्य का गतिरिति न प्रतिष्ठां लोकमिति नयेदिति होवाच प्रतिष्ठां वयं लोकꣳ सामाभिसꣳस्थापयामः प्रतिष्ठासꣳ स्तावꣳ हि सामेति
hantāhametadbhagavato vedānīti viddhīti hovācāmuṣya lokasya kā gatirityayaṃ loka iti hovācāsya lokasya kā gatiriti na pratiṣṭhāṃ lokamiti nayediti hovāca pratiṣṭhāṃ vayaṃ lokam̐ sāmābhisam̐sthāpayāmaḥ pratiṣṭhāsam̐ stāvam̐ hi sāmeti
'Then let me learn this from you, revered sir.' 'Learn it,' he said. 'What is the support of that world?' 'This world.' 'What is the support of this world?' He said, 'One should not lead the Saman beyond this world, its firm ground. We establish the Saman in this world, for the Saman is praised as the firm ground.'
तꣳ ह प्रवाहणो जैवलिरुवाचान्तवद्वै किल ते शालावत्य साम यस्त्वेतर्हि ब्रूयान्मूर्धा ते विपतिष्यतीति मूर्धा ते विपतेदिति हन्ताहमेतद्भगवतो वेदानीति विद्धीति होवाच
tam̐ ha pravāhaṇo jaivaliruvācāntavadvai kila te śālāvatya sāma yastvetarhi brūyānmūrdhā te vipatiṣyatīti mūrdhā te vipatediti hantāhametadbhagavato vedānīti viddhīti hovāca
Pravahana Jaivali said to him, 'Your Saman, Shalavatya, has an end. If someone who knew were to say now, "Your head shall fall off," your head would surely fall.' 'Then let me learn this from you, revered sir.' 'Learn it,' he said.
अस्य लोकस्य का गतिरित्याकाश इति होवाच सर्वाणि ह वा इमानि भूतान्याकाशादेव समुत्पद्यन्त आकाशं प्रत्यस्तं यन्त्याकाशो ह्येवैभ्यो ज्यायानकाशः परायणम्
asya lokasya kā gatirityākāśa iti hovāca sarvāṇi ha vā imāni bhūtānyākāśādeva samutpadyanta ākāśaṃ pratyastaṃ yantyākāśo hyevaibhyo jyāyānakāśaḥ parāyaṇam
'What is the support of this world?' 'Space (akasha),' he said. 'All these beings arise from space alone and return into space. Space is greater than all of them; space is the final resting place.'
स एष परोवरीयानुद्गीथः स एषोऽनन्तः परोवरीयो हास्य भवति परोवरीयसो ह लोकाञ्जयति य एतदेवं विद्वान्परोवरीयाꣳसमुद्गीथमुपास्ते
sa eṣa parovarīyānudgīthaḥ sa eṣo'nantaḥ parovarīyo hāsya bhavati parovarīyaso ha lokāñjayati ya etadevaṃ vidvānparovarīyām̐samudgīthamupāste
This is the Udgitha that is ever higher and better; it is endless. He who knows this and meditates on the Udgitha as ever higher and better, his life becomes ever higher and better, and he wins worlds ever higher and better.
Atidhanvan Shaunaka taught this to Udarashandilya and said, 'As long as your descendants know this Udgitha, their life in this world will be ever higher and better,
तथामुष्मिꣳ ल्लोके लोक इति स य एतमेवं विद्वानुपास्ते परोवरीय एव हास्यास्मिꣳल्लोके जीवनं भवति तथामुष्मिꣳल्लोके लोक इति लोके लोक इति
tathāmuṣmim̐ lloke loka iti sa ya etamevaṃ vidvānupāste parovarīya eva hāsyāsmim̐lloke jīvanaṃ bhavati tathāmuṣmim̐lloke loka iti loke loka iti
and so will be their place in the other world.' He who knows this and meditates on it so, his life in this world becomes ever higher and better, and so does his place in the other world, yes, in the other world.
maṭacīhateṣu kuruṣvāṭikyā saha jāyayoṣastirha cākrāyaṇa ibhyagrāme pradrāṇaka uvāsa
When the land of the Kurus was struck by hailstorms (matachi), Ushasti Chakrayana lived in great distress with his young wife in the village of an elephant-keeper.
एतेषां मे देहीति होवाच तानस्मै प्रददौ हन्तानुपानमित्युच्छिष्टं वै मे पीतꣳ स्यादिति होवाच
eteṣāṃ me dehīti hovāca tānasmai pradadau hantānupānamityucchiṣṭaṃ vai me pītam̐ syāditi hovāca
'Give me some of these,' said Ushasti. He gave them, and said, 'Here is water to drink.' Ushasti replied, 'Then I would be drinking what another has left over.'
न स्विदेतेऽप्युच्छिष्टा इति न वा अजीविष्यमिमा न खादन्निति होवाच कामो म उदपानमिति
na svidete'pyucchiṣṭā iti na vā ajīviṣyamimā na khādanniti hovāca kāmo ma udapānamiti
'Are not these beans also leftovers?' asked the man. 'I would not have lived had I not eaten them,' said Ushasti, 'but water I can find wherever I wish.'
स ह प्रातः सञ्जिहान उवाच यद्बतान्नस्य लभेमहि लभेमहि धनमात्राꣳ राजासौ यक्ष्यते स मा सर्वैरार्त्विज्यैर्वृणीतेति
sa ha prātaḥ sañjihāna uvāca yadbatānnasya labhemahi labhemahi dhanamātrām̐ rājāsau yakṣyate sa mā sarvairārtvijyairvṛṇīteti
Next morning, as he rose, he said, 'If only we could get a little food, we could earn a little wealth. The king over there is about to perform a sacrifice; he would choose me for all the priestly offices.'
एवमेव प्रतिहर्तारमुवाच प्रतिहर्तर्या देवता प्रतिहारमन्वायत्ता तां चेदविद्वान्प्रतिहरिष्यसि मूर्धा ते विपतिष्यतीति ते ह समारतास्तूष्णीमासांचक्रिरे
evameva pratihartāramuvāca pratihartaryā devatā pratihāramanvāyattā tāṃ cedavidvānpratihariṣyasi mūrdhā te vipatiṣyatīti te ha samāratāstūṣṇīmāsāṃcakrire
In the same way he said to the Pratihartri, 'Pratihartri, if you sing the Pratihara without knowing the deity that belongs to it, your head shall fall off.' They stopped and sat in silence.
bhagavām̐ stveva me sarvairārtvijyairiti tathetyatha tarhyeta eva samatisṛṣṭāḥ stuvatāṃ yāvattvebhyo dhanaṃ dadyāstāvanmama dadyā iti tatheti ha yajamāna uvāca
'Now, revered sir, take all the priestly offices for me.' 'So be it,' said Ushasti. 'But let these same priests sing with my permission. And whatever wealth you give them, give the same to me.' 'So be it,' said the patron.
Then the Prastotri came to him and said, 'Revered sir, you told me that if I sang the Prastava without knowing the deity belonging to it, my head would fall off. Which is that deity?'
प्राण इति होवाच सर्वाणि ह वा इमानि भूतानि प्राणमेवाभिसंविशन्ति प्राणमभ्युज्जिहते सैषा देवता प्रस्तावमन्वायत्ता तां चेदविद्वान्प्रास्तोष्यो मूर्धा ते व्यपतिष्यत्तथोक्तस्य मयेति
prāṇa iti hovāca sarvāṇi ha vā imāni bhūtāni prāṇamevābhisaṃviśanti prāṇamabhyujjihate saiṣā devatā prastāvamanvāyattā tāṃ cedavidvānprāstoṣyo mūrdhā te vyapatiṣyattathoktasya mayeti
'Prana, breath,' he said. 'All these beings enter into breath and rise up out of breath. This is the deity of the Prastava. Had you sung the Prastava without knowing it, after I had warned you, your head would have fallen off.'
Then the Udgatri came to him and said, 'Revered sir, you told me that if I sang the Udgitha without knowing the deity belonging to it, my head would fall off. Which is that deity?'
आदित्य इति होवाच सर्वाणि ह वा इमानि भूतान्यादित्यमुच्चैः सन्तं गायन्ति सैषा देवतोद्गीथमन्वायत्ता तां चेदविद्वानुदगास्यो मूर्धा ते व्यपतिष्यत्तथोक्तस्य मयेति
āditya iti hovāca sarvāṇi ha vā imāni bhūtānyādityamuccaiḥ santaṃ gāyanti saiṣā devatodgīthamanvāyattā tāṃ cedavidvānudagāsyo mūrdhā te vyapatiṣyattathoktasya mayeti
'The sun,' he said. 'All these beings sing the praise of the sun when it stands on high. This is the deity of the Udgitha. Had you sung the Udgitha without knowing it, after I had warned you, your head would have fallen off.'
Then the Pratihartri came to him and said, 'Revered sir, you told me that if I sang the Pratihara without knowing the deity belonging to it, my head would fall off. Which is that deity?'
अन्नमिति होवाच सर्वाणि ह वा इमानि भूतान्यन्नमेव प्रतिहरमाणानि जीवन्ति सैषा देवता प्रतिहारमन्वायत्ता तां चेदविद्वान्प्रत्यहरिष्यो मूर्धा ते व्यपतिष्यत्तथोक्तस्य मयेति तथोक्तस्य मयेति
annamiti hovāca sarvāṇi ha vā imāni bhūtānyannameva pratiharamāṇāni jīvanti saiṣā devatā pratihāramanvāyattā tāṃ cedavidvānpratyahariṣyo mūrdhā te vyapatiṣyattathoktasya mayeti tathoktasya mayeti
'Food,' he said. 'All these beings live by taking in food. This is the deity of the Pratihara. Had you sung the Pratihara without knowing it, after I had warned you, your head would have fallen off, yes, after I had warned you.'
te ha yathaivedaṃ bahiṣpavamānena stoṣyamāṇāḥ sam̐rabdhāḥ sarpantītyevamāsasṛpuste ha samupaviśya hiṃ cakruḥ
Just as priests about to chant the Bahishpavamana hymn move along holding on to one another, so the dogs moved along. Then they sat down together and uttered 'Hin'.
ayaṃ vāva loko hāukāraḥ vāyurhāikāraścandramā athakāra ātmehakāro'gnirīkāraḥ
This world is the stobha syllable hau, the wind is hai, the moon is atha, the self is iha, and fire is i. (Stobhas are the extra syllables sung within a Saman.)
dugdhe'smai vāgdohaṃ yo vāco doho'nnavānannādo bhavati ya etāmevam̐ sāmnāmupaniṣadaṃ vedopaniṣadaṃ vedeti
Speech yields its milk to him who knows this secret teaching (upanishad) of the Samans; he gains plenty of food and the power to enjoy it, yes, he who knows this upanishad.
English translation · F. Max Müller
1. Let a man meditate on the syllable Om, called the udgîtha; for the udgîtha (a portion of the Sâma-veda) is sung, beginning with Om.
The full account, however, of Om is this:—
2. The essence of all beings is the earth, the essence of the earth is water, the essence of water
the plants, the essence of plants man, the essence of man speech, the essence of speech the Rig-veda, the essence of the Rig-veda the Sâma-veda, the essence of the Sâma-veda the udgîtha (which is Om).
3. That udgîtha (Om) is the best of all essences, the highest, deserving the highest place, the eighth.
4. What then is the Rik? What is the Sâman? What is the udgîtha? This is the question.
5. The Rik indeed is speech, Sâman is breath, the udgîtha is the syllable Om. Now speech and breath, or Rik and Sâman, form one couple.
6. And that couple is joined together in the syllable Om. When two people come together, they fulfil each other's desire.
7. Thus he who knowing this, meditates on the syllable (Om), the udgîtha, becomes indeed a fulfiller of desires.
8. That syllable is a syllable of permission, for whenever we permit anything, we say Om, yes. Now permission is gratification. He who knowing this meditates on the syllable (Om), the udgîtha, becomes indeed a gratifier of desires.
9. By that syllable does the threefold knowledge (the sacrifice, more particularly the Soma-sacrifice, as founded on the three Vedas) proceed. When the Adhvaryu priest gives an order, he says Om. When the Hotri priest recites, he says Om. When the Udgâtri priest sings, he says Om,
—all for the glory of that syllable. The threefold knowledge (the sacrifice) proceeds by the greatness of that syllable (the vital breaths), and by its essence (the oblations).
10. Now therefore it would seem to follow, that both he who knows this (the true meaning of the syllable Om), and he who does not, perform the same sacrifice. But this is not so, for knowledge and ignorance are different. The sacrifice which a man performs with knowledge, faith, and the Upanishad is more powerful. This is the full account of the syllable Om.
Second Khanda.
1. Whent he Devas and Asuras struggled together, both of the race of Pragâpati, the Devas took the udgîtha (Om), thinking they would vanquish the Asuras with it.
2. They meditated on the udgîtha (Om) as the breath (scent) in the nose, but the Asuras pierced it (the breath) with evil. Therefore we smell by the breath in the nose both what is good-smelling and what is bad-smelling. For the breath was pierced by evil.
3. Then they meditated on the udgîtha (Om) as speech, but the Asuras pierced it with evil. Therefore we speak both truth and falsehood. For speech is pierced by evil.
4. Then they meditated on the udgîtha (Om) as the eye, but the Asuras pierced it with evil.
Therefore we see both what is sightly and unsightly. For the eye is pierced by evil.
5. Then they meditated on the udgîtha (Om) as the ear, but the Asuras pierced it with evil. Therefore we hear both what should be heard and what should not be heard. For the ear is pierced by evil.
6. Then they meditated on the udgîtha (Om) as the mind, but the Asuras pierced it with evil. Therefore we conceive both what should be conceived and what should not be conceived. For the mind is pierced by evil.
7. Then comes this breath (of life) in the mouth. They meditated on the udgîtha (Om) as that breath. When the Asuras came to it, they were scattered, as (a ball of earth) would be scattered when hitting a solid stone.
8. Thus, as a ball of earth is scattered when hitting on a solid stone, will he be scattered who wishes evil to one who knows this, or who persecutes him; for he is a solid stone.
9. By it (the breath in the mouth) he distinguishes neither what is good nor what is bad-smelling, for that breath is free from evil. What we eat and drink with it supports the other vital breaths (i. e. the senses, such as smell, &c.) When at the time of death he does not find that breath (in the
mouth, through which he eats and drinks and lives), then he departs. He opens the mouth at the time of death (as if wishing to eat).
10. Angiras meditated on the udgîtha (Om) as that breath, and people hold it to be Angiras, i. e. the essence of the members (angânâm rasah);
11. Therefore Brihaspati meditated on udgîtha (Om) as that breath, and people hold it to be Brihaspati, for speech is brihatî, and he (that breath) is the lord (pati) of speech;
12. Therefore Ayâsya meditated on the udgîtha (Om) as that breath, and people hold it to be Ayâsya, because it comes (ayati) from the mouth
(âsya);
13. Therefore Vaka Dâlbhya knew it. He was the Udgâtri (singer) of the Naimishîya-sacrificers, and by singing he obtained for them their wishes.
14. He who knows this, and meditates on the syllable Om (the imperishable udgîtha) as the breath of life in the mouth, he obtains all wishes by singing. So much for the udgîtha (Om) as meditated on with reference to the body.
Third Khanda.
1. Now follows the meditation on the udgîtha with reference to the gods. Let a man meditate on the udgîtha (Om) as he who sends warmth (the sun in the sky). When the sun rises it sings as Udgâtri for the sake of all creatures. When it rises it destroys the fear of darkness. He who knows this, is able to destroy the fear of darkness (ignorance).
2. This (the breath in the mouth) and that (the sun) are the same. This is hot and that is hot. This they call svara (sound), and that they call pratyâsvara (reflected sound). Therefore let a man meditate on the udgîtha (Om) as this and that (as breath and as sun).
3. Then let a man meditate on the udgîtha (Om) as vyâna indeed. If we breathe up, that is prâna, the up-breathing. If we breathe down, that is apâna, the down-breathing. The combination of prâna and apâna is vyâna, back-breathing or holding in of the breath. This vyâna is speech. Therefore when we utter speech, we neither breathe up nor down.
4. Speech is Rik, and therefore when a man utters a Rik verse he neither breathes up nor down.
Rik is Sâman, and therefore when a man utters a Sâman verse he neither breathes up nor down.
Sâman is udgîtha, and therefore when a man sings (the udgîtha, Om) he neither breathes up nor down.
5. And other works also which require strength, such as the production of fire by rubbing, running a race, stringing a strong bow, are performed without breathing up or down. Therefore let a man meditate on the udgîtha (Om) as vyâna.
6. Let a man meditate on the syllables of the udgîtha, i. e. of the word udgîtha. Ut is breath (prâna), for by means of breath a man rises (uttishthati). Gî is speech, for speeches are called girah. Tha is food, for by means of food all subsists (sthita).
7. Ut is heaven, gî the sky, tha the earth. Ut is the sun, gî the air, tha the fire. Ut is the Sâma-veda, gî the Yagur-veda, tha the Rig-veda.
Speech yields the milk, which is the milk of speech itself, to him who thus knowing meditates on those
syllables of the name of udgîtha, he becomes rich in food and able to eat food.
8. Next follows the fulfilment of prayers. Let a man thus meditate on the Upasaranas, i. e. the objects which have to be approached by meditation: Let him (the Udgâtri) quickly reflect on the Sâman with which he is going to praise;
9. Let him quickly reflect on the Rik in which that Sâman occurs; on the Rishi (poet) by whom it was seen or composed; on the Devatâ (object) which he is going to praise;
10. On the metre in which he is going to praise; on the tune with which he is going to sing for himself;
11. On the quarter of the world which he is going to praise. Lastly, having approached himself (his name, family, &c.) by meditation, let him sing the hymn of praise, reflecting on his desire, and avoiding all mistakes in pronunciation, &c. Quickly will the desire be then fulfilled to him, for the sake of which he may have offered his hymn of praise, yea, for which he may have offered his hymn of praise.
Fourth Khanda.
1. Let a man meditate on the syllable Om, for the udgîtha is sung beginning with Om. And this is the full account of the syllable Om:—
2. The Devas, being afraid of death, entered upon (the performance of the sacrifice prescribed in) the threefold knowledge (the three Vedas). They covered themselves with the metrical hymns. Because they covered (khad) themselves with the hymns, therefore the hymns are called khandas.
3. Then, as a fisherman might observe a fish in the water, Death observed the Devas in the Rik, Yagus, and Sâman-(sacrifices). And the Devas seeing this, rose from the Rik, Yagus, and Sâman-sacrifices, and entered the Svara, i.e. the Om (they meditated on the Om).
4. When a man has mastered the Rig-veda, he says quite loud Om; the same, when he has mastered the Sâman and the Yagus. This Svara is the imperishable (syllable), the immortal, free from fear. Because the Devas entered it, therefore they became immortal, and free from fear.
5. He who knowing this loudly pronounces (pranauti) that syllable, enters the same (imperishable) syllable, the Svara, the immortal, free from fear, and having entered it, becomes immortal, as the Devas are immortal.
Fifth Khanda.
1. The udgîtha is the pranava, the pranava is the udgîtha. And as the udgîtha is the sun, so is the pranava, for he (the sun) goes sounding Om.
2. 'Him I sang praises to, therefore art thou my only one,' thus said Kaushîtaki to his son. 'Do thou revolve his rays, then thou wilt have many sons.' So much in reference to the Devas.
3. Now with reference to the body. Let a man meditate on the udgîtha as the breath (in the mouth), for he goes sounding Om.
4. 'Him I sang praises to, therefore art thou my only son,' thus said Kaushîtaki to his son. 'Do thou therefore sing praises to the breath as manifold, if thou wishest to have many sons.'
5. He who knows that the udgîtha is the pranava, and the pranava the udgîtha, rectifies from the seat of the Hotri priest any mistake committed by the Udgâtri priest in performing the udgîtha, yea, in performing the udgîtha.
Sixth Khanda.
1. The Rik (veda) is this earth, the Sâman (veda) is fire. This Sâman (fire) rests on that Rik (earth). Therefore the Sâman is sung as resting on the Rik.
Sâ is this earth, ama is fire, and that makes Sâma.
2. The Rik is the sky, the Sâman air. This Sâman (air) rests on that Rik (sky). Therefore the Sâman is sung as resting on the Rik. Sâ is the sky, ama the air, and that makes Sâma.
3. Rik is heaven, Sâman the sun. This Sâman (sun) rests on that Rik (heaven). Therefore the Sâman is sung as resting on the Rik. Sâ is heaven, ama the sun, and that makes Sâma.
4. Rik is the stars, Sâman the moon. This Sâman (moon) rests on that Rik (stars). Therefore the Sâman is sung as resting on the Rik. Sâ is the stars, ama the moon, and that makes Sâma.
5. Rik is the white light of the sun, Sâman the blue exceeding darkness (in the sun). This Sâman (darkness) rests on that Rik (brightness). Therefore the Sâman is sung as resting on the Rik.
6. Sâ is the white light of the sun, ama the blue exceeding darkness, and that makes Sâma.
Now that golden person, who is seen within the sun, with golden beard and golden hair, golden altogether to the very tips of his nails,
7. Whose eyes are like blue lotus's, his name is ut, for he has risen (udita) above all evil. He also who knows this, rises above all evil.
8. Rik and Sâman are his joints, and therefore he is udgîtha. And therefore he who praises him
(the ut) is called the Ud-gâtri (the out-singer). He (the golden person, called ut) is lord of the worlds beyond that (sun), and of all the wishes of the Devas (inhabiting those worlds). So much with reference to the Devas.
Seventh Khanda.
1. Now with reference to the body. Rik is speech, Sâman breath. This Sâman (breath) rests on that Rik (speech). Therefore the Sâman is sung as resting on the Rik. Sâ is speech, ama is breath, and that makes Sâma.
2. Rik is the eye, Sâman the self. This Sâman (shadow) rests on that Rik (eye). Therefore the Sâman is sung as resting on the Rik. Sâ is the eye, ama the self, and that makes Sâma.
3. Rik is the ear, Sâman the mind. This Sâman (mind) rests on that Rik (ear). Therefore the Sâman is sung as resting on the Rik. Sâ is the ear, ama the mind, and that makes Sâma.
4. Rik is the white light of the eye, Sâman the blue exceeding darkness. This Sâman (darkness) rests on the Rik (brightness). Therefore the Sâman is sung as resting on the Rik. Sâ is the white light of the eye, ama the blue exceeding darkness, and that makes Sâma.
5. Now the person who is seen in the eye, he is Rik, he is Sâman, Uktha, Yagus, Brahman. The form of that person (in the eye) is the same as the
form of the other person (in the sun), the joints of the one (Rik and Sâman) are the joints of the other, the name of the one (ut) is the name of the other.
6. He is lord of the worlds beneath that (the self in the eye), and of all the wishes of men. Therefore all who sing to the vînâ (lyre), sing him, and from him also they obtain wealth.
7. He who knowing this sings a Sâman, sings to both (the adhidaivata and adhyâtma self, the person in the sun and the person in the eye, as one and the same person). He obtains through the one, yea, he obtains the worlds beyond that, and the wishes of the Devas;
8. And he obtains through the other the worlds beneath that, and the wishes of men.
Therefore an Udgâtri priest who knows this, may say (to the sacrificer for whom he officiates);
9. "What wish shall I obtain for you by my songs?" For he who knowing this sings a Sâman is able to obtain wishes through his song, yea, through his song.
Eighth Khanda.
1. There were once three men, well-versed in udgîtha, Silaka Sâlâvatya, Kaikitâyana Dâlbhya, and Pravâhana Gaivali. They said: 'We are well-versed in udgîtha. Let us have a discussion on udgîtha.'
2. They all agreed and sat down. Then Pravâhana Gaivali said: 'Sirs, do you both speak first,
for I wish to hear what two Brâhmanas have to say.'
3. Then Silaka Sâlâvatya said to Kaikitâyana Dâlbhya: 'Let me ask you.'
'Ask,' he replied.
4. 'What is the origin of the Sâman?' 'Tone (svara),' he replied.
'What is the origin of tone?' 'Breath,' he replied.
'What is the origin of breath?' 'Food,' he replied.
'What is the origin of food?' 'Water,' he replied.
5. 'What is the origin of water?' 'That world (heaven),' he replied.
'And what is the origin of that world?'—
He replied: 'Let no man carry the Sâman beyond the world of svarga (heaven). We place (recognise) the Sâman in the world of svarga, for the Sâman is extolled as svarga (heaven).'
6. Then said Silaka Sâlâvatya to Kaikitâyana Dâlbhya: 'O Dâlbhya, thy Sâman is not firmly established. And if any one were to say, Your head shall fall off (if you be wrong), surely your head would now fall.'
7. 'Well then, let me know this from you, Sir,' said Dâlbhya.
'Know it,' replied Silaka Sâlâvatya.
'What is the origin of that world (heaven)?' 'This world,' he replied.
'And what is the origin of this world?'—
He replied: 'Let no man carry the Sâman beyond this world as its rest. We place the Sâman
in this world as its rest, for the Sâman is extolled as rest.'
8. Then said Pravâhana Gaivali to Silaka Sâlâvatya: 'Your Sâman (the earth), O Sâlâvatya, has an end. And if any one were to say, Your head shall fall off (if you be wrong), surely your head would now fall.'
'Well then, let me know this from you, Sir,' said Sâlâvatya.
'Know it,' replied Gaivali.
Ninth Khanda.
1. 'What is the origin of this world?' 'Ether,' he replied. For all these beings take their rise from the ether, and return into the ether. Ether is older than these, ether is their rest.
2. He is indeed the udîttha (Om=Brahman), greater than great (parovarîyas), he is without end. He who knowing this meditates on the udgîtha, the greater than great, obtains what is greater than great, he conquers the worlds which are greater than great.
3. Atidhanvan Saunaka, having taught this udgîtha to Udara-sândilya, said: 'As long as they will know in your family this udgîtha, their life in this world will be greater than great.
4. 'And thus also will be their state in the other world.' He who thus knows the udgîtha, and meditates on it thus, his life in this world will be greater than great, and also his state in the other world, yea, in the other world.
Tenth Khanda.
1. When the Kurus had been destroyed by (hail) stones, Ushasti Kâkrâyana lived as a beggar with his virgin wife at Ibhyagrâma.
2. Seeing a chief eating beans, he begged of him. The chief said: 'I have no more, except those which are put away for me here.'
3. Ushasti said: 'Give me to eat of them.' He gave him the beans, and said: 'There is something to drink also.' Then said Ushasti: 'If I drank of it, I should have drunk what was left by another, and is therefore unclean.'
4. The chief said: 'Were not those beans also left over and therefore unclean?'
'No,' he replied; 'for I should not have lived, if I had not eaten them, but the drinking of water would be mere pleasure.'
5. Having eaten himself, Ushasti gave the remaining beans to his wife. But she, having eaten before, took them and put them away.
6. Rising the next morning, Ushasti said to her: 'Alas, if we could only get some food, we might gain a little wealth. The king here is going to offer a sacrifice, he should choose me for all the priestly offices.'
7. His wife said to him: 'Look, here are those beans of yours.' Having eaten them, he went to the sacrifice which was being performed.
8. He went and sat down on the orchestra near the Udgâtris, who were going to sing their hymns of praise. And he said to the Prastotri (the leader):
9. 'Prastotri, if you, without knowing the deity which belongs to the prastâva (the hymns &c. of the Prastotri), are going to sing it, your head will fall off.'
10. In the same manner he addressed the Udgâtri; 'Udgâtri, if you, without knowing the deity which belongs to the udgtîha (the hymns of the Udgâtri), are going to sing it, your head will fall off.'
11. In the same manner he addressed the Pratihartri; 'Pratihartri, if you, without knowing the deity which belongs to the pratihâra (the hymns of the Pratihartri), are going to sing it, your head will fall off.'
They stopped, and sat down in silence.
Eleventh Khanda.
1. Then the sacrificer said to him: 'I should like to know who you are, Sir.' He replied: 'I am Ushasti Kâkrâyana.'
2. He said: 'I looked for you, Sir, for all these sacrificial offices, but not finding you, I chose others.'
3. 'But now, Sir, take all the sacrificial offices.'
Ushasti said: "Very well; but let those, with my permission, perform the hymns of praise. Only as much wealth as you give to them, so much give to me also.'
The sacrificer assented.
4. Then the Prastotri approached him, saying: 'Sir, you said to me, "Prastotri, if you, without knowing the deity which belongs to the prastâva, are going to sing it, your head will fall off,"—which then is that deity?'
5. He said: 'Breath (prâna). For all these beings merge into breath alone, and from breath they arise. This is the deity belonging to the prastâva. If, without knowing that deity, you had sung forth your hymns, your head would have fallen off, after you had been warned by me.'
6. Then the Udgâtri approached him, saying: 'Sir, you said to me, "Udgâtri, if you, without knowing the deity which belongs to the udgîtha, are going to sing it, your head will fall off,"—which then is that deity?'
7. He said: 'The sun (âditya). For all these beings praise the sun when it stands on high. This is the deity belonging to the udgîtha. If without knowing that deity, you had sung out your hymns, your head would have fallen off, after you had been warned by me.'
8. Then the Pratihartri approached him, saying: 'Sir, you said to me, "Pratihartri, if you, without knowing the deity belonging to the pratihâra, are going to sing it, your head will fall off,"—which then is that deity?'
9. He said: 'Food (anna). For all these beings
live when they partake of food. This is the deity belonging to the pratihâra. If, without knowing that deity, you had sung your hymns, your head would have fallen off, after you had been warned by me.'
Twelfth Khanda.
1. Now follows the udgîtha of the dogs. Vaka Dâlbhya, or, as he was also called, Glâva Maitreya, went out to repeat the Veda (in a quiet place).
2. A white (dog) appeared before him, and other dogs gathering round him, said to him: 'Sir, sing and get us food, we are hungry.'
3. The white dog said to them: 'Come to me to-morrow morning.' Vaka Dâlbhya, or, as he was also called, Glâva Maitreya, watched.
4. The dogs came on, holding together, each dog keeping the tail of the preceding dog in his mouth, as the priests do when they are going to sing praises with the Vahishpavamâna hymn. After they had
settled down, they began to say Hin.
5. 'Om, let us eat! Om, let us drink! Om, may the divine Varuna, Pragâpati, Savitri bring us food! Lord of food, bring hither food, bring it, Om!'
Thirteenth Khanda.
1. The syllable Hâu is this world (the earth), the syllable Hâi the air, the syllable Atha the moon, the syllable Iha the self, the syllable Î is Agni, fire.
2. The syllable Û is the sun, the syllable E is the Nihava or invocation, the syllable Auhoi is the Visve Devas, the syllable Hin is Pragâpati, Svara (tone) is breath (prâna), the syllable Yâ is food, the syllable Vâg is Virâg.
3. The thirteenth stobha syllable, viz. the indistinct syllable Huṅ, is the Undefinable (the Highest Brahman).
4. Speech yields the milk, which is the milk of speech itself to him who knows this Upanishad (secret doctrine) of the Sâmans in this wise. He becomes rich in food, and able to eat food,—yea, able to eat food.
Public-domain translation by F. Max Müller (1879).
Text source: Wikisource · CC BY-SA 4.0 (Wikisource transcription of a public-domain text)